La crítica y "Arrebato"
Summary
Spain in the nineteen-seventies. The transition brings new air. All seems be opened to all. Even the cinematographic reviewers speak foreign languages. Seem the auspicious moment for the Fit debut, but what in principle would have to have been a dialogue with a laden proposals cinema, finished being what is same of always: film an damned to add to a long ready. Years after, to middle horse between the eighties and the nineties, the Spanish critique, provided of weapons more sophisticated than those of the years seventy, returns to make it of always, that is to say, to reduce the form to mere content.Sing up and download the publications of Eusko Ikaskuntza
Are you a registered member?. Access
Share:
